With tons of incredible EQ options on the market to choose from, it takes something truly special and unique to stand out and make a mark.
#Slate vcc 2 full#
With an SSL style buss compressor, 2-4 dB of gain reduction at a slow attack time of 30ms, fast release time of 100ms, and ratio of 4:1 tends to work wonders on drums, guitars and full mixes alike. Multi-buss glue: while mixing more organic genres such as rock or metal, it’s often a good idea to somewhat “glue” your individual instrument groups together on their respective busses before applying a final stage of buss compression on the master buss. My Top Tips for Using the Virtual Buss Compressors Plugins Long story short, if you’re really hearing it, you’re probably using too much!
![slate vcc 2 slate vcc 2](https://plugin-torrents.com/wp-content/uploads/2020/11/Slate-Digital-Complete-Bundle-Crack-2.4.9.2-Latest-Version-2021.jpg)
In small doses, console and tape saturation can add wonderful warmth, smoothness, punch and glue to a mix, but when pushed too hard, can totally undo all of your work towards achieving a tight, clear and transient mix.
#Slate vcc 2 software#
Too much of a good thing: the key to getting the best results out of pretty much all analog emulation software on the market is to use it tastefully. Whether you’re after the punchy, in-your-face sound of SSL, the warm, “round” sound of Neve, the smooth high end sheen of +9 tape, or the fat low end of 456, these two plugins have you covered, and will do wonders towards bringing your mixes to life! My Top Tips for Using the VCC and VTM Plugins While I’m not going to go into a ton of detail on the individual usage of each plugin, the general idea is as follows: choose the console and tape type you’d like to use, then play around with how hard you’d like to hit/saturate said console or tape via the drive and/or linked in/out knobs. In my book, VCC and VTM were the plugins which really sparked the “emulation revolution.” This was the first time that mixers were really convinced with the results, without feeling like there was a huge compromise to be made on CPU usage or latency. While audio gear and plugin manufacturing in the 90s and 2000s was all about trying to make things sound as “clean” and “flat” as possible, by the time we actually achieved the goal of “digital perfection,” we realized that the end results were, quite frankly, a bit dull and boring.Įver since, software engineers have been painstakingly trying to recreate all of the subtle imperfections, abnormalities, artifacts and distortion characteristics of analog gear in the digital realm with the end goal of merging the best of both worlds: the user-friendly functionality of digital, and the listener-friendly sound of analog. So I’ve decided to bundle them together for the sake of this article. While these are two separate plugins, in my mind, they’ve always been an inseparable pair when looking to impart “the sound of analog” onto a clean, “digital” mix. Virtual Console Collection + Virtual Tape Machines On that note, let’s take a look at 5 Slate Digital plugins which every mix engineer should own: 1. While audio plugin technology has come leaps and bounds in the last 10 years, the fact that I’m still using both of these plugins in every single mix I do says a lot about their quality. It’s gotten to the point that nowadays, their emulations are “virtually” (get it?) indistinguishable from the real thing. Whether a beginner or advanced Slate Digital VCC user, or you're just looking to see what a console plug-in could do for your tracks, watch "VCC 2.Ever since the release of their groundbreaking Virtual Console Collection back in 2011 and Virtual Tape Machines plugin the following year, Slate Digital have been working hard on bridging the gap between analog and digital. Marcus wraps it up with a tutorial on creative uses for VCC 2 using a bass guitar track as his example.
![slate vcc 2 slate vcc 2](https://dt7v1i9vyp3mf.cloudfront.net/styles/news_large/s3/imagelibrary/V/VCC_01-iE7EIOq947PUEZ1Ifq2dIr5XlS9zFkmz.jpg)
Then Marcus returns to the plug-in, exploring the Noise Reduction, Group Bypass, and Gain Staging in VCC 2.
#Slate vcc 2 how to#
Since one of VCC's strength is it's ability to be recalled by your DAW, he shows you how to store default settings in Pro Tools. From there, Marcus jumps right into using VCC 2 in a Mix, using different consoles and grouping options. Marcus begins with an overview of the new GUI, comparing it to the previous GUI, and then explains the various Meter Calibration options new to VCC 2.0.
#Slate vcc 2 series#
Slate Digital puts 6 classic analog consoles in your DAW, and studio guru Marcus Huyskens shows you how to use them! This series explores the significant difference between VCC 2.0 and the previous version, and how to make the most of the new plug-in version.